“Design is as much an act of spacing as an act of marking.” -- Ellen Lupton, designer and educator

Kvalitet i Standard

“Kvalitet pre svega”

Sem posvećenost u kreiranju savremenog dizajna, takođe smo posvećeni konstantnog ostvarenja najboljeg mogućeg kvaliteta, pa na osnovu toga možemo reći da je za nas “Kvalitet pre svega”.

“Kvalitet pre svega”

za nas znači da ulažemo dodatne napore kako bi osigurali kvalitet našeg dizajna i samih proizvoda. U praksi testiramo svaki dizajn dok ga razvijamo a takođe i sprovodimo niz testova kada počinjemo sa proizvodnjom određenog dizajna. To znači da proizvodnja određenih delova, izbor materijala i nešto moraju ispuniti sve ove zahteve. Na ovaj način, kupac će imati najbolje moguće iskustvo bez obzira na zahteve koji se postavljaju pred našu proizvodnju i dizajn.

Naš sopstveni standard

Iako poslujemo u skladu sa evropskim standardima, o kojima će kasnije biti reči, takođe postavljamo i sopstvene visoke standarde. Često testiramo svaki naš dizajn u realnoj situaciji gde se svaki od naših proizvoda redovno koriste, čime svaki naš dizajn stavljamo na test. Svakodnevno radimo na poboljšanju kvaliteta naših proizvoda i usluga kako bismo kupcima pružili nesvakidašnje iskustvo. Težeći ka savršenstvu ovakav pogled na standard i kvalitet za nas je prirodan sled stvari.

ISO standard

06/21

ISO 9001

ISO 9001 - Sistem menadžmenta kvalitetom je međunarodni standard koji sadrži zahteve za sistem upravljanja kvalitetom u poslovnoj organizaciji koje organizacija mora ispuniti da bi uskladila svoje poslovanje sa međunarodno priznatim normama.

Sistem kvaliteta je upravljački sistem, kojim se dovodi do ostvarenja postavljenih ciljeva u pogledu kvaliteta poslovanja i pružanja usluga.

Ovaj sistem čine organizaciona struktura, odgovornost subjekta u organizaciji, procesi i resursi potrebni za upravljanje sistemom.

Svrha ovog standarda je povećanje efikasnosti organizacije kroz primenu procesnog pristupa. Njegova prednost je obezbeđenje veza između pojedinačnih procesa, sektora i njihove interakcije.

Definisanjem ulaznih i izlaznih elemenata svih procesa i definisanjem potrebnih resursa stvara se polazna osnova za planiranje, kao i povratna informacija o zadovoljstvu kupaca.

Ovakav model povećava poverenje klijenata u proizvod/uslugu i vodi ka boljem pozicioniranju na tržištu.

Naša firma posluje po ovom modelu međunarodnog ISO standarda, i pored naše sopstvene težnje ka visokom kvalitetu i standardu, ovaj model standarda nam pomaže da to i ostvarimo.

Kaare Klint makes his mark

Kaare Klint was exposed to architecture from a young age thanks to the work of his father, Peder Vilhelm Jensen-Klint, on the renowned Grundtvig’s Church in Copenhagen. The church is an architectural landmark of Copenhagen, and a unique blending of Gothic and Brick Expressionist styles. It is surrounded by a residential development, also designed by Jensen Klint. When his father died in 1930, it was Kaare Klint who completed the work over the following decade. It was as a furniture designer, however, that Klint made his indelible mark.

Considered the father of Danish Modern design, Klint co-founded the Royal Danish Academy of Fine Arts’ Furniture School in 1923, where he became a professor the following year. Many of the leading designers of the mid-century era, including Hans J. Wegner, Ole Wanscher, Børge Mogensen, Arne Jacobsen, and Poul Kjærholm came of age at the so-called ‘Klint School’.

In 1936, Klint and Fritz Hansen collaborated on the Church Chair for the Bethlehem Church in Copenhagen. Today, the chair is best known for its placement at Grundtvig’s Church. Traditional and functional, Klint’s chair was inspired by Shaker furniture. The aim was to introduce chairs, rather than benches, to churches. The chair remains one of Klint’s most recognised pieces and has been produced in a number of variations. The Church Chair was in production until 2004, making it one of the most successful products in Fritz Hansen history.

Kaare Klint’s design ideology combined Danish functionalism, systematization, and modularity, under-pinned by a strong sense of proportionality. Klint emphasised the importance of high-quality materials, craftsmanship, and an appreciation of furniture design in a wider historical context. This philosophy matches Fritz Hansen’s own, highlighting why the partnership with Klint worked so well.

Klint drew inspiration from history while always considering modern function and comfort. With this design credo, he brought furniture design to another level – and into people’s lives.
  • Gruntvig’s church, Copenhagen, 1936
  • Church chair by Kaare Klint, 1936
  • Bethlehem’s Church, Copenhagen
  • Gruntvig’s church, Copenhagen, 1936
  • Bethlehem’s Church, Copenhagen
  • Church chair by Kaare Klint, 1936